A very sweet lady who attends my church, a couple of weeks ago, asked me if I’d heard of Dana Gioia. Of course, as my regular readers know, I have. She wanted to know how I knew of him and I spent about 30 minutes filling her ear with the war between New Formalism and Postmodernism and what role Gioia plays in that battle while people like myself are in the crossfire wishing there was a respectable debate going on. I think I may have overwhelmed her with more than she could handle.
The reason she asked was because she had read an article Gioia had written in which he argued that poets are the gatekeepers (my word, not his or hers) of language and that we should preserve language, not reinvent it. I told her that, while I respect that view, I don’t agree with it.
I have a huge problem, first off, with anyone telling me what I should be doing with my mode of expression. I am what I am and you can like it or not. But even more importantly, the world is in a constant state of change. As such, culture itself is always evolving. Art and literature are not only reflections of culture, but also co-creators of it. As the culture around us changes, we must be willing to change along with it, and that change manifests itself in two ways.
- As recorders of culture and history, poets and literary artists struggle to paint the world as it is. There may be ideals communicated in the practice and pursuit of this, but even in the most fantastic of tales and verses, you can often find hints and evidence of the cultural influences that go into an artists work. This is as it should be.
- The other way in which culture manifests itself in literature is through the personal eyes of the artist. Writers often come up with ideas before anyone else and communicate them in such a way that they leave a mark. Readers pick up a certain phrase or borrow an idea and share it with their friends. There are countless examples of writers who have coined a phrase or injected a culture with an idea that went viral.
You could easily call these two manifestations of culture in literature as impression and expression. First, the literary artist receives an impression of the surrounding culture then writes about it. The expression resulting from this can range in form from the very creative to the technical, from obscure to plain. But the expression is the writer’s way of giving back to the culture what the culture has fed him. The culture in turn rewards the artist with acceptance and approval. Sometimes, rejection can be its own reward as communicated in this quote from Normal Mailer:
There is no greater importance in all the world like knowing you are right and that the wave of the world is wrong, yet the wave crashes upon you. (from Armies Of The Night)
Even rejection can be a form of approval for a writer.
My point is that language changes. As culture changes so do the modes of expression. This is natural. Once, man drew pictures on the walls of caves. Now we digitize nearly everything. Our cave is a worldwide network of machines, not far from the Borg. Someday, it will be something else.
I respect the idea that artists are in the business of preserving language because, in a certain sense, it is true. We can’t just go around willy-nilly changing the meanings of common words and expecting people to understand what we are saying. If we use words in a different way than what is normally accepted, there should be a good reason for it. Otherwise, it’s just gibberish.
I don’t know if that’s what Dana Gioia meant. I haven’t read the article that my friend mentioned (though I’m quite familiar with Gioia’s ideas).
All of this is to say that I recently discovered that Webster’s New World Dictionary has selected its word of the year as it does every year. This year’s word is a newly coined word and isn’t in the dictionary at all. “Overshare” is a word that could only be used in a culture such as ours that is infatuated with making the personal public. Here’s a video that gives a little insight into the choice of the word. It’s interesting to hear what college students are saying and how they express themselves in struggling with a definition for this word. It will be interesting to see just when “overshare” makes it into the dictionary and how many different definitions it will garner for itself by that time.
“Gioia [wrote] that poets are the gatekeepers (my word, not his or hers) of language and that we should preserve language”
I’m not familiar with this quote, so I’m also not sure what Gioia means by it. (I just reviewed his poetry at my own site and have had several hits on it.) I have a book of his essays so his quote, and meaning, is probably in there somewhere.
I doubt that he would disagree with anything you wrote though. Taken at face value, I suppose, the quote could be construed as a criticism of something like language poets.
“I have a huge problem, first off, with anyone telling me what I should be doing with my mode of expression.”
Me too, which is why various schools of poetry bore me. My feeling as that schools of poetry are a little like literary cults, generally formed around a single charismatic individual or group of individuals. They themselves wouldn’t think of themselves as being “told what to do”, but sometimes can’t help trumpeting there own perceived superiority.
Patrick Gillespies last blog post..Opening Book: Unbidden Page 78 (Final Poem of the Book)
Just wanted to let you know.
I was working on my blog at the Two Alices in Cornwall-on-Hudson. (Visiting inlaws). I overheard the owner and a customer talking about friends giving them too much info via E-Mail and on facebook. I told them about the new word, overshare, and they *loved* it. They instantly started using it as a verb. Back to my blog. I want to write up Chaucer’s Iambic Pentameter.
Patrick Gillespies last blog post..High Fantasy & The Oratorical Style
With the selection of Overshare, this shows that society, well at least the young generation is more open and less worried about privacy.
I wonder when Webster will add the word to the dictionary.
Ians last blog post..Social Media – Leximo’s 2008 Word of the Year
I’m a reader of your blog
I love poetry and I also have my compositions. Your site is very informative and I found many useful links too. I hope you had a wonderful Christmas and a prosperous new year. Wishing you all the best in 2009. Good life & good health. More blessings to all of us. Cheers!!
Pinaykeypoints last blog post..Mount Pinatubo Trek
Hey Allen,
I was toying with the idea of working up a post on prevalent 21rst Century Schools of Poetry, as much for my own curiosity as anything else. Have you worked up a post along these lines? I’ve been checking out other poetry blogs. I can’t find any other blogs dedicated to poetry in form or meter. Lots of blogs by adherents to obscure schools – like SoQ.
So far they’re all, every one of them, based on the same received form – namely free verse.
Patrick Gillespies last blog post..A Sex Primer
Thanks Pinay, Happy New Year!
Patrick, while not explicit about his formalist bent, the writer of the Strongverse blog leans in that direction.
I haven’t found any blogs wholly dedicated to traditional or formal poetry, but this blog post by Alfred Corn is quite informative (and the discussion afterward is interesting).
Otherwise, what you’ll find online is mostly in the avant-garde tradition or recycled free verse poetry, but very little in the way of intelligent commentary on traditional forms. I wish it weren’t so.
//but very little in the way of intelligent commentary on traditional forms.//
Feh! Present company excepted! I think my blog hints at *some* intelligence. Somewhere…
But hey, thanks for the links. I’m going to right-click on them, right about n
Patrick Gillespies last blog post..A Sex Primer
Patrick Gillespie said:
“Lots of blogs by adherents to ‘obscure’ schools – like SoQ.”
Did you mean Silliman’s ‘School of Quietude’? You’re kidding, right?
Or, that is…you mean these obscure SoQ poets:
Alexander Pope
William Blake
Walt Whitman
John Keats
William Shakespeare
E. E. Cummings
Ezra Pound
T.S. Eliot
Franz Wright
Edgar Allan Poe
Ralph Waldo Emerson
Robert Bly
Lawrence Ferlinghetti
Gary Snyder
Sylvia Plath
Robinson Jeffers
Alfred Lord Tennyson
Percy Bysshe Shelly
Henry David Thoreau
Robert Service
Carl Sandburg
Emily Dickinson
Edna St. Vincent Millay
Paul Muldoon
William Butler Yeats
Langston Hughes
Robert Frost
Jack Gilbert
William Wordsworth
John Berryman
W.D. Snodgrass
W.S. Merwin
Elizabeth Bishop
Denise Levertov
Robert Creeley
Theoodore Roethke
James Wright
Edward Arlington Robinson
Wallace Stevens
Dylan Thomas
That was sarcasm, right?
Just checking.
Patrick, there was a reason I included “very little” in that sentence. It doesn’t mean none. Also, Silliman’s references to the School of Quietude are not references to obscurity. It takes a while of reading him to figure it out, but it’s a pejorative moniker for anyone who doesn’t fit into his hyper-avant bent. As Gary points out, the SofQ is rather mainstream, though I’d be hard pressed to place Ferlinghetti and Creeley on that list.
“…though I’d be hard pressed to place Ferlinghetti and Creeley on that list.”
Okay, maybe.
But Silliman w=o=u=l=d.
BTW, I have had a fair amount of personal correspondence with Ron Silliman and, poetry preferences aside, he is a hell of a nice person. For the record.
Hey Gary,
Yeah… that was sarcasm.
I should just knuckle under and start using all those E-Mail hieroglyphs.
I get into more trouble without them…
Patrick Gillespies last blog post..January 4, 2009 – curve of her hips
P.S. The sarcasm wasn’t directed at Allen.
Gary, thanks for clarifying Silliman’s personal attributes. Here in the literary world we tend to forget there is living, breathing sentience behind those public personas.
Patrick, I never took offense. Yes, it is proper to leave well drawn impressions when writing on cave walls.
Those concerned with “preserving” language ought to try to do that themselves. There is no stopping the dynamic qualities of expression in a society (or, in a greater sense, the world) oversaturated with communication and forms of communication. At this point, there is no-one at the helm of the cultural juggernaut that creates changes in expressive meaning. Poets, the least of them. Perhaps this complaint best be directed toward the marketing department of Viacom.
Will B .s last blog post..